![]() ![]() This allows the lighting team to spend less time trying to mimic reality and more time making creative decisions. Hear director Andrew Stanton explain how the advances change the filmmaking process, and his producer Lindsey Collins explains that while the new tools make things easier to create, it has made producing a Pixar movie even harder than it ever was before.įinding Dory is the first Pixar film to use the RenderMan RIS architecture software, which is able to create both the direct and indirect light. The company's chief technology officer Steve May, who worked on Finding Nemo as the supervisor of the shark sequence, says that the process of how they make films has changed a lot since then, but "mainly computers are way faster and algorithms are way better." Finding Dory introduces three completely new technologies and major improvements in one of their older pieces of software.Īfter the jump, you can learn about all the new technology being used in Pixar's latest feature film and how that allowed them to create a character that would have been impossible in the Finding Nemo days. ![]() Each new Pixar film employs newer and better technology, but Finding Dory introduces an unprecedented amount of new software to their production pipeline. ![]()
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